In an earlier post, I talked about how I entered the world of low-voltage audio and my commitment to delivering the best possible performance subject to that constraint. In this post I’d like to consider some strategies for generating power.Continue reading “Joys of Low-Voltage Audio: power strategies”
I just discovered that I got a mention in Doug Self’s book The Design of Active Crossovers for the work I did a while back on loudspeaker crossovers. If you don’t know who he is, he’s one of the big names in British audio engineering. He’s done work for Cambridge Audio, TAG-McLaren Audio, and other respected brands. Feeling warm and fuzzy.
It turns out the world of low-voltage audio is a lot of fun, and I’d like to start sharing some of my journey through it.
I suspect everyone has a different reason for entering this world, lending each story a different color and set of priorities. Mine goes something like this.
The open source community has produced a number of serviceable tools for two-dimensional design. These include GIMP for bitmap graphics and photo editing, Inkscape for vector art, and Scribus for page layout. On the 3D side, Blender, Wings 3D, Art of Illusion, and a few others have served the needs of those doing surface and subdivision modeling. And while lots of good work has been done using those tools, I haven’t found surface and subdivision modelers very useful for industrial design work, except for occasional rapid ideation or visualization. FreeCAD is different in that it’s a parametric modeling tool, which has a history of effective use in ID.Continue reading “FreeCAD for Industrial Design”
I’m bulk editing a bunch of KiCad footprints (a.k.a. modules) in a text editor. Said footprints have a
tedit field, which turns out is a hex-coded timestamp. This means to properly edit a KiCad footprint in a text editor, you should update that field when you save it.
A one-liner for producing a hex-coded timestamp in Linux bash is:
printf "%X\n" $(date +%s)
It happens sooner or later to all consulting designers: your client decides not to use your work or — if it’s what they hired you for — take your advice.
So, let’s get on with it.
In a previous installment, we took a dive into the
this variable and how it behaves in different ES5 situations. In this installment, we’ll do the same but for so-called arrow functions, introduced in ES6.
So far we’ve learned what the relationship is between an object and its constructor’s
prototype and what happens when we change properties set on the
__proto__ property, which is also the constructor’s
undefined. But that’s not what happens.