Reused Low-Cost Power Amps
These notes are mostly for my own use/curiosity. I'm limiting these notes to class AB and A amps. Once you get into switching amps, things change quite a bit.
Adcom
The Nelson Pass designed GFA-555 is known for a good but bright presentation. I will … wait for it … pass on that. Other less costly GFA amps are widely available on the used market. The c. 1993 GFA-535 was reviewed in Stereophile.
Harman/Kardon
H/K embraced Otala, et al. early on and have a history of designing “wideband” amplifiers, going back to tube designs. This maybe tips them toward having good top ends. My experience with a receiver has been favorable. But the company seems to have let their quality slip starting in the 90s or late 80s (?), so it's unknown if these amps are credible contenders.
PA 2000
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4 channel bridgeable
4 x 45 watts @ 8 ohms, 20Hz – 20kHz, <0.07% THD, all channels driven
2 x 100 watts @ 8 ohms, 20Hz – 20kHz, <0.07% THD, all channels driven
Plentiful
Dual volume control on back (one for each pair)
Can't find decent reviews
PA 2100 ☆
Manual looks older than PA 2000, shares manual with PA 2200
One for sale ad claims 1996-97, which is believable.
2 channel bridgeable
2 x 65 watts @ 8 ohms, 20Hz – 20kHz, <0.09% THD
1 x 130 watts @ 8 ohms, 20Hz – 20kHz, <0.3% THD
NFB: 12dB
Slew rate: 120V/usec
Rise time: 1.2uSec
TIM: unmeasurable
Can't find decent reviews
PA 2200 ★
Manual looks older than PA 2000, shares manual with PA 2100
2 channel bridgeable
2 x 100 watts @ 8 ohms, 20Hz – 20kHz, <0.08% THD
1 x 200 watts @ 8 ohms, 20Hz – 20kHz, <0.08% THD
NFB: 12dB
Slew rate: 140V/usec
Rise time: 1.2uSec
TIM: unmeasurable
Can't find decent reviews
PA 4000
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8 channel bridgeable
Standard Operation: 8 x 45 watts @ 8 ohms, 20Hz – 20kHz, <0.07% THD, all channels driven
Bridged Mode 1: 2 x 100 watts plus 4 x 45 watts @ 8 ohms, 20Hz – 20kHz, <0.07% THD, all channels driven
Bridged Mode 2: 4 x 100 watts @ 8 ohms, 20Hz – 20kHz, <0.07% THD, all channels driven
Can't find decent reviews
NAD
NAD is persistently dogged by reports of reliability issues. Personal experience with a 7020 receiver (ancient!) corroborates this somewhat. It also corroborates that the NAD sound favors a “warm” or thick bottom. This might be expected if the design approach uses large amounts of “dynamic headroom” (as NAD AB amp designs have tended to do): With small power supply caps, supply modulation in the LF will increase, and this will increase the LF THD.
2140
2100
Continuous Output Power (into 8 Ω) : 60 W (17 dBW)
Rated Distortion (THD 20Hz - 20kHz): 0,03%
Bridged Mode Continuous Output Power (into 8 Ω) : 100 W (20 dBW)
Bridgeable
L/R volume controls on front
2155
2200 ☆
1985-1989
100 watts per channel into 8Ω
Total harmonic distortion: 0.04%
Slew rate: 25 V/uS
Apart from input stage, symmetric circuit.
Uses NJM 2043DD opamp in front end for bridging and soft clip.
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2200PE
2240PE
Nakamichi
These are claimed not to have output protection. Otherwise promising candidates.
420
50 watts per channel into 8Ω (stereo)
Total harmonic distortion: 0.02%
After the front end, symmetric circuit.
620
100 watts per channel into 8Ω (stereo)
Total harmonic distortion: 0.005%
Fully symmetric (“Complete Mirror”) circuit.
Onkyo
Not as popular or having the same buzz as lots of other manufacturers. But the brand intrigues me. They pay at least lip service to wide bandwidth some some/most/all power amps, so are worth a deeper dive.
M-282
M-501
M-5000
M-5010
M-5100
M-5140
M-5150
M-5160
M-5200
Parasound
John Curl's involvement with the company lends them some cred. Whether the products not design by JC are to the same standard is not currently known.
HCA-500
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50 watts RMS x 2, 20Hz-20kHz, 8 Ω
THD: < 0.25% at full power, < 0.15% typical levels
Slew rate: 40V/μsecond
TIM: Unmeasurable
HCA-800II ☆
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100 watts RMS x 2, 20Hz-20kHz, 8Ω
THD: < 0.08% at full power, < 0.03% typical levels
Slew rate: 60V/μ second
TIM: Unmeasurable
L/R volume controls on front panel
Model 275
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75 watts rms per channel into 8Ω, both channels driven
THD: 0.035% at full rated output, 0.025% at average listening levels
TIM: Unmeasurable
Parasound PA260
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